泰坦尼克号2杰克归来

江户川乱步的恐怖三角馆。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。2031年，因维人（Invid）抵达饱经磨难的地球，宣布他们对史前能量拥有占有权。这个强大而善战的外星种族武装力量对地球守备军发起了摧枯拉朽般的攻势，在消灭了一切抵抗力量后，占领了地球。 得到消息的瑞克·卡特命令远征军（Robotech Expeditionary Force）舰队回航，于是庞大的船团开始转向。在主力舰队到达之前，已有数批先遣队抢先对因维人发动了攻击，然而等待他们的却只有恐怖和毁灭，因维军队轻而易举就使先遣队全军覆没。 占领地球的因维人几乎已到达进化的顶点。他们可以根据环境的需要，随意改变自己的形象和身体组成，甚至可以凭借自身的意志，将身体在物质态和能量态间自由转化。但具有讽刺意味的是，他们对史前能量的依赖性是最强的，表面上强大的适应能力被这致命的弱点牢牢束缚着，而拥有生命之花、作为“宇宙中已知最后一块史前能量聚集地”的地球，也就自然...。