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Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。裴多宝收到故乡神秘来信，带着女儿返回汉江村。谁料，写信者在河中离奇溺亡，裴多宝亡妻的坟墓被蛊术阵法刨掘。流言四起，说是有个性感女鬼化身鱼怪，吃人心肠、勾人魂魄。裴多宝不愿久留，带着女儿欲离开汉江村，半路却被鱼怪袭击，女儿也惨遭女鬼“勾魂”，脾气变得狂躁，宛如恶鬼附身。 村中开始接二连三有人惨死，其死状和古书记载的“三山神”如出一辙。邪恶逐渐笼罩了整个汉江村，所有人都相信恶鬼降临、邪神侵袭，他们都将被祭祀，无人可以幸免。为了找到迫害女儿的凶手，裴多宝孤身一人开始调查，渐渐揭开了尘封十年的往事，以及关于“复活”的恐怖邪术。。该剧改编自同名网漫，讲述因为太在意周围人的眼光而无法诚实表达自己的想法的女高中生宋雨妍，领悟心脏怦怦跳的感觉，自己大声说出爱之后世界会发生什么变化的故事。。